djkittycat

Disa has an idea. Durin and Elrond can only follow.

Ghost Quartet is a band: Dave Malloy on keyboard, Brent Arnold on cello, Gelsey Bell and Brittain Ashford on various instruments, and everyone providing vocals. Ghost Quartet is a song cycle, a concert album performed semi-staged, a mash-up of "Snow White, Rose Red," The One Thousand and One Nights, the Noh play Matsukaze, "Cruel Sister", "The Fall of the House of Usher", the front page photo of a fatal train accident, and a grab bag of Twilight Zone episodes. The ghost of Thelonious Monk is sometimes invoked, but does not appear; whisky is often invoked, and, if you see the show live, will most certainly appear. "I'm confused/And more than a little frightened," says (one incarnation of) the (more-or-less) protagonist. "It's okay, my dear," her sister/lover/mother/daughter/deuteragonist reassures her, "this is a circular story."

Once upon a time two sisters fell in love with an astronomer who lived in a tree. He seduced Rose, the younger, then stole her work ("for a prestigious astronomy journal"), and then abandoned her for her sister, Pearl. Rose asked a bear to maul the astronomer in revenge, but the bear first demanded a pot of honey, a piece of stardust, a secret baptism, and a photograph of a ghost. (The music is a direct quote of the list of spell ingredients from Into the Woods.) Rose searches for all these ingredients through multiple lifetimes; and that's the plot.

Except it is much less comprehensible than that. The songs are nested in each other like Scheherazade's stories; you can follow from one song to the next, but retracing the connections in memory is impossible; this is less a narrative than a maze. Surreal timelines crash together in atonal cacophany; one moment Dave Malloy, or a nameless astronomer played by Dave Malloy, or Dave Malloy playing Dave Malloy is trying to solve epistemology and another moment the entire house of Usher, or all the actors, are telling you about their favorite whiskies. The climax is a subway accident we have glimpsed before, in aftermath, in full, circling around it, a trauma and a terror that cannot be faced directly; the crash is the fall of a house is the failure to act is the failure to look is the failure to look away.

There are two recordings available. Ghost Quartet, recorded in a studio, has cleaner audio, but Live at the McKitterick includes more of the interstitial scenes and feels more like the performance.

In Greenwood Cemetery, there were three slightly raised stages separated by batches of folding chairs, one for Dave Malloy, one for Brent Arnold, and one for Gelsey Bell and Brittain Ashford, with a flat patch of grass in the center across which they sang to each other, and into which they sometimes moved; you could sit in the chairs, or on cushions in front of the first row, or with cheaper tickets you could sit in the grass on the very low hills above the staging area, among the monuments and gravestones, and, presumably, among more ghosts. The show started a little before sunset; I saw a hawk fly over, and I could hear birds singing along when the humans sang a capella. It was in the middle of Brooklyn, so even after dark I couldn't see stars; but fireflies sparked everywhere.

Reading. ( Burch + Penman, McMillan-Webster, Wells, Davies + Jones, Hwang Carrant, Keynes + Aidley )

... all of which adds up to more pain-related reading than I felt like I'd managed this week, huh, I thought I had tripped and fallen entirely into Murderbot and EatYourBooks indexing but apparently not!

Writing. A response to the EHRC consultation, which was... several thousand words. A very, very brief response to the Pathways to Work green paper consultation ("I am too disabled to manage doing this properly. These charities are speaking for me. Please fucking listen to them.")

Watching. The first half of Fantasia, with the toddler, with my hand held through all the scary bits to reassure me, apart from the bit that was SO scary that we had to get up and distract ourselves until it was over. Which had absolutely not been flagged as one of the scary bits, and which was the deep-sea-origins-of-life section.

(I had not watched the film since primary school, I don't think? And between then and now I have played a bunch of orchestral music, for most of that time on the violin but latterly as a French horn. It turns out that when I'm not distracted by playing a completely different part, I have incredibly intense sense-memories of several of the pizzicato sections early on...)

Another Murderbot episode. (I continue Indignant.)

Another Farscape episode, this one Taking the Stone (S02E03), which I think was firmly back to early season one levels of incoherence.

Tragically we have not managed The Old Guard 2, because I have had too much migraine and there have been SO many things Happening, but... maybe this week???

Cooking. Several new things! Four from East, leaving me at 41/120 recipes still to make (two of which are "probably won't happen" for reasons of "grapefruit" and "matcha"); of those this week's meal plan includes two (aubergine larb with sticky rice; Vietnamese coconut pancakes). I appreciated the reminder that fried new potatoes are tasty, and A is notably into the chargrilled summer vegetable salad, though I was not a fan of the faff and think I prefer smitten kitchen's charred corn succotash.

Approximately zero faff was salt lassi, and A is now aware that this Special Treat is available; low faff was a cherry clafoutis with fruit from the plot, which I overcooked a bit but, hey, I do in fact like caramelised crunchy bits.

Eating. FIRST BATCH OF DESSERT GOOSEBERRIES ARE RIPE. A tiny handful of Sugar Magnolia sugarsnap peas. Misc jostaberries. RASPBERRIES. And also supermarket strawberries, because we have hit the stage of the summer where they're down to £5 per kilo :)

Growing. I have been doing small bits of harvest and failing to get support structures in for the beans and tomatoes. The outdoor tomatoes have tomatoes on. The squash are coming along; I put more squash seeds in, on the grounds that they're super late but might still do anything; I have not managed to kill all of the chillis; the pepper has flowers.

Harvested lots of dried peas for sowing next year. Am attempting to develop Plans that might actually let me have a full bed of broad beans and a full bed of peas in the interests of getting Reasonable Quantities of them. If the council doesn't tell me I'm not allowed the abandoned plot next door--

I could get so much done if I could coax myself out there for even an hour a day but the agoraphobia is saying No, annoyingly. Gonna try to get A to chase me out more this week.

No bread made for reasons.

Friday night supper: I was intending having penne with bottled sliced artichoke hearts, except did not appear to have these in store cupboard: did a sauce of blender-whizzed Peppadew Roasted Red Peppers in brine instead.

Saturday breakfast rolls: basic buttermilk, 50:50% strong white/white spelt flour, turned out nicely.

Today's lunch: diced leg of lamb casseroled in white wine with thyme with sweet potato topping, served with buttered spinach and what really were quite tiddly juvenile baby leeks vinaigrette in a dressing of olive oil, white wine vinegar, and wholegrain mustard.

Writer: Chris Claremont

Pencils and inks: Bill Sienkiewicz

Moira is having trouble with a patient, so she calls on Professor Xavier to help.

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Posted by callmeri

https://www.transformativeworks.org/otw-board-meeting-july-20-2025/

https://www.transformativeworks.org/?p=265873

The OTW Board will be holding its next public meeting from midnight to 1 a.m. UTC on July 20 (what time is that for me?).

This meeting will be held in the Board Discord server. The server will have a team of moderators, a set of rules (including question rules), and community guidelines. The server will remain open even after the meeting, but the channels for meeting and asking questions will be read-only. Board will be posting replies to questions that do not get addressed during the scheduled meeting two weeks after the meeting in the server’s #questions-answers channel.

The agenda will include:

• Decisions made since the last public board meeting
• OTW Board Election
• Updates to the Board Year Roadmap
• Updates to the OTW Culture Roadmap
• Any other business (Questions & Answers)

Prior to this meeting, there is an opportunity to ask questions in advance to be answered as part of the meeting. This allows anyone who wishes to ask the Board questions, whether they will be able to attend the meeting live or not. (The Board will also accept questions during the meeting.)

Questions submitted to this Google Form will be accepted up to three days before the meeting begins or until 50 questions have been submitted. At that point, the form will be turned off. You need to be logged in to a Google account to submit a question. In the future, these rules may be amended to adjust as needed. Further information will be available in the OTW Board Discord server.

https://www.transformativeworks.org/otw-board-meeting-july-20-2025/

https://www.transformativeworks.org/?p=265873

Words and pencils: Jack Kirby

Inks: Mike Royer

Mister Miracle and Oberon stumble upon the lair of Madame Evil Eyes.

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